in medias res

into the middle of things

iwdrm:

“Woke up, felt like shit. Went to work, felt like shit.”
Children of Men (2006)

iwdrm:

“Woke up, felt like shit. Went to work, felt like shit.”

Children of Men (2006)

theartofmoviestills:

Batman Begins | Christopher Nolan | 2005

theartofmoviestills:

Batman Begins | Christopher Nolan | 2005

strangewood:

“The only moment where one can exercise any control over a film is in the editing. But in the editing room, I work very slowly, which always unleashes the temper of the producers who snatch the film from my hands. I don’t know why it takes me so much time: I could work forever on the editing of a film. For me, the strip of celluloid is put together like a musical score, and this execution is determined by the editing; just like a conductor interprets a piece of music in rubato, another will play it in a very dry and academic manner and a third will be very romantic, and so on. The images themselves are not sufficient: they are very important, but are only images. The essential is the length of each image, what follows each image: it is the very eloquence of the cinema that is constructed in the editing room.” 
Orson Welles - Cahiers du Cinéma, No. 84, June 1958. [x]
View high resolution

strangewood:

“The only moment where one can exercise any control over a film is in the editing. But in the editing room, I work very slowly, which always unleashes the temper of the producers who snatch the film from my hands. I don’t know why it takes me so much time: I could work forever on the editing of a film. For me, the strip of celluloid is put together like a musical score, and this execution is determined by the editing; just like a conductor interprets a piece of music in rubato, another will play it in a very dry and academic manner and a third will be very romantic, and so on. The images themselves are not sufficient: they are very important, but are only images. The essential is the length of each image, what follows each image: it is the very eloquence of the cinema that is constructed in the editing room.”

Orson Welles - Cahiers du Cinéma, No. 84, June 1958. [x]

auteursbroingout:

waltdisneywithblood:

Orson Welles, 1966

One goes through a grand range of emotions whilst waiting for one’s sandwich to be delivered. View high resolution

auteursbroingout:

waltdisneywithblood:

Orson Welles, 1966

One goes through a grand range of emotions whilst waiting for one’s sandwich to be delivered.

criterioncorner:

Federico Fellini casts a film. Paris, 1975.

criterioncorner:

Federico Fellini casts a film. Paris, 1975.

(Source: mrcinema, via bbook)

typewriterspotting:

nevver:
Typewriters of Writers
I think these are:
Ernest Hemingway - Olympia SM 1 (?)
John Steinbeck - Hermes Baby
Bob Dylan - ?
Hunter S. Thompson - IBM Selectric II
Cormac McCarthy - Olivetti ?
George Orwell - ?
J.R.R. Tolkien - ?
Jack Kerouac - ?
Woody Allen - Olympia SM 3

typewriterspotting:


nevver
:

Typewriters of Writers

I think these are:

Ernest Hemingway - Olympia SM 1 (?)

John Steinbeck - Hermes Baby

Bob Dylan - ?

Hunter S. Thompson - IBM Selectric II

Cormac McCarthy - Olivetti ?

George Orwell - ?

J.R.R. Tolkien - ?

Jack Kerouac - ?

Woody Allen - Olympia SM 3

bartleby-company:

“No place is boring, if you’ve had a good night’s sleep and have a pocket full of unexposed film”
(via Robert Adams)
View high resolution

bartleby-company:

“No place is boring, if you’ve had a good night’s sleep and have a pocket full of unexposed film”

(via Robert Adams)

(via bbook)

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